The author sought out 20 other African Americans with deep connections to nature and asked them about their experiences. These personal profiles are not only interesting but also provide insight into the past, present and future practices for our environment.

The author sought out 20 other African Americans with deep connections to nature and asked them about their experiences. These personal profiles are not only interesting but also provide insight into the past, present and future practices for our environment.

Black Nature is the first anthology to focus on nature writing by African American poets, a genre that until now has not commonly been counted as one in which African American poets have participated.Black poets have a long tradition of incorporating treatments of the natural world into their work, but it is often read as political, historical, or protest poetry―anything but nature poetry. This is particularly true when the definition of what constitutes nature writing is limited to work about the pastoral or the wild.

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The first study to place national park history within the context of the early reservation era, it details the ways that national parks developed into one of the most important arenas of contention between native peoples and non-Indians in the twentieth century.​

Unfamiliar with the culture's rich environmental heritage, people overlook the knowledge and skills required at every turn in black history: thriving in natural settings in ancestral African lands, using and discovering farming techniques to survive during slavery and Reconstruction, and navigating escape routes to freedom, all of which required remarkable outdoor talents and a level of expertise far beyond what's needed to hike or camp in a national forest or park.

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Mills uses Expedition Denali and its team members' adventures as a jumping-off point to explore how minority populations view their place in wild environments and to share the stories of those who have already achieved significant accomplishments in outdoor adventures-from Mathew Henson, a Black explorer who stood with Peary at the North Pole, to Kai Lightner, a teenage sport climber currently winning national competitions.

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Bridging the fields of environmental history, cultural studies, critical race studies, and geography, Finney argues that the legacies of slavery, Jim Crow, and racial violence have shaped cultural understandings of the "great outdoors" and determined who should and can have access to natural spaces.

The guidebook covers fourteen regions east and west of the Mississippi that represent St. Louis’s rich African American heritage. In the words of historian Gary Kremer, “No one who reads this book and visits and contemplates the places and peoples whose stories it recounts will be able to look at St. Louis in the same way ever again.”

A unique travel guides takes readers on a historical and cultural journey through New York highlighting all of the historic sites, museums, galleries, shopping, tours, nightclubs, and other attractions relevant to African-American history, from the renowned Apollo Theater to the Schomburg Center for Research in Black Culture.​

​The fascinating story of a friendship, a lost tradition, and an incredible discovery, revealing how enslaved men and women made encoded quilts and then used them to navigate their escape on the Underground Railroad.

Salamishah Tillet examines how contested figures, events, memories, locations, and experiences related to chattel slavery—such as the allegations of a sexual relationship between Thomas Jefferson and Sally Hemings, the characters Uncle Tom and Topsy in Harriet Beecher Stowe's novel Uncle Tom's Cabin, African American tourism to slave forts in Ghana and Senegal, and the legal challenges posed by reparations movements.​

​In South of Pico Kellie Jones explores how the artists in Los Angeles's black communities during the 1960s and 1970s created a vibrant, productive, and engaged activist arts scene in the face of structural racism. 

 The vast majority of slavery sites construct narratives of history that valorize a white elite of the pre-emancipation South and trivialize the experience of slavery for both enslaved people and their enslavers.​

Johnson, Mississippi John Hurt, Memphis Minnie, Jimmie Rodgers, Bessie Smith, Muddy Waters, Mississippi Fred McDowell, Howlin' Wolf, B. B. King, Little Milton, Elvis Presley, Bobby Rush, Junior Kimbrough, R. L. Burnside-the list of great artists with Mississippi connections goes on and on. A trip through Mississippi blues sites is a pilgrimage every music lover ought to make at least once in a lifetime, to see the juke joints and churches, to visit the birthplaces and graves of blues greats, to walk down the dusty roads and over the levee, to eat some barbecue and greens, to sit on the bank of the Mississippi River, and to hear some down-home blues music.

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A guide to over 150 sites and landmarks important to African-American culture.​

Black San Francisco is considerably broader in scope than any previous study of African-Americans in the West. It provides extensive coverage of the city's black community during the Great Depression and the New Deal, details civil rights activities from 1915 to 1954, and provides extensive biographical material on local black leaders.​

The black migration to San Francisco and the Bay Area differed from the mass movement of Southern rural blacks and their families into the eastern industrial cities. Those who traveled West, or arrived by ship, were often independent, sophisticated, single men. Many were associated with the transportation boom following the Gold Rush; others traveled as employees of wealthy individuals.

The guidebook covers fourteen regions east and west of the Mississippi that represent St. Louis’s rich African American heritage. In the words of historian Gary Kremer, “No one who reads this book and visits and contemplates the places and peoples whose stories it recounts will be able to look at St. Louis in the same way ever again.”

The guidebook covers fourteen regions east and west of the Mississippi that represent St. Louis’s rich African American heritage. In the words of historian Gary Kremer, “No one who reads this book and visits and contemplates the places and peoples whose stories it recounts will be able to look at St. Louis in the same way ever again.”

 This first-of-its-kind travel guide will take you on a fascinating journey to music venues, events, and museums that illuminate the lives of the musicians and reveal the deep ties between music and community. Interviews with more than 90 artists open doors to a world of music, especially jazz, rhythm and blues, funk, gospel and church music, blues, rap, marching band music, and beach music.

The city of St. Louis is known for its African American citizens and their many contributions to the culture within its borders, the country, and the world. Images of Modern America: African American St. Louis profiles some of the events that helped shape St. Louis from the 1960s to the present. Tracing key milestones in the citys history, this book attempts to pay homage to those African Americans who sacrificed to advance fair socioeconomic conditions for all.

Told through the eyes of author and native Las Vegan Trish Geran, she narrates her Aunt Magnolia's life and times in Las Vegas, experiences that occurred from 1942 to 1960 and stories passed on by early settlers. While searching in her aunt's garden, Trish discovers the evidence that proves what she constantly heard while growing up in Las Vegas, that black people played a major role in the development of Las Vegas.

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